ICT IN BUSINESS

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Communication has been made so much easier and efficient due to the introduction of ICT in communication.

ICT can be used in so many different ways in communication, the following are explanations and uses of ICT in communication

Internet

The internet is a vital part of communication of any business, The internet is a link between all computer systems across the world using either a dial up modem or a broadband facility, this is very useful in business as it is but in communications it can be used for email which is basically electronic letters which can be delivered using the internet in a matter of seconds, this can be very useful for ford as it can communicate using this method to anywhere in the world and it will take up very little time and effort. Files can also be attached to the email so ford can send anything across the world using email including designs, spreadsheet files (Accounts) images, any thing can be sent any where across the globe. Email although very time efficient is seen as a informal way of communication and might not be as effective if used in formal circumstances, and as you can not see the person that you are writing to you miss out on at least 50% of his or hers response as Body language is a key part of any communication, this is another negative about email. Email can be used for both internal and external communication but if more commonly used for internal for example emails can be sent to all staff informing them of a meeting or a party etc.

Intranet

The intranet is like the internet but it is more local, it is a network between computers in the same area in a Local Area Network or a Wider Area Network, so it is used as a channel of communication inside the bussiness as only they can access it therefore it is an internal channel of communication. The intranet is a very useful form of communication because as it is not connected to the internet it is completely free. The intranet can be used in many different ways, there maybe a message board where employees can air there views on performance or complaints or anything they wish, this way management get an idea of what employees think and employees feel they have an input in the company and are more motivated. The management could also post sales figures or production figures for the employees to see, So the employees can see if they are performing to their targets.

Video Conferencing

Video Conferencing is a very useful part of ICT, this is where you can contact any one using ICT and you can see them and hear them as you are communicating with them. This can be a very time efficient way of communicating within the business because you can contact any one in the world ad see them face to face and ad body language is a vital part of any communication video conferencing can prove to be a very effective way of communicating. Video conferencing also can save a lot of money in travel for example if a ford director has to meet with a supplier in another country he does not have to travel he can just communicate using video conferencing saving both his time and money.

Ford have realised how important ICT is to the company and the way it communcates so it has invested in a computers for every employee of the company so they can become comuter ilterate, they have also invested time and money in Microsoft's Net Meeting software for Video Conferencing (Article's In Appendix)

There are other ways ford use technology to communicate for example there are electronic information board on the production sites informing employees of targets and units made and any other information that needs to be communicated. There are also TV results which show targets for the month and cascade objectives of the month or show if previous months objectives were met, this can help the employees feel more motivated for the business.

The Communication of the company can be measured by the production sales of the company or the sales figures of the company or for example if there has been a mis communication in the company which has resulted in a loss for the company. For example when in 17 the tyres of ford cars were recalled because they were faulty this is an indication there their was a miscommunication in the ford Production process (Article in Appendix)

.There are also sales figures, which show that in 00 the results of the company in terms of production rose rapidly (Article in Appendix) this can be an indication that the communication had improved in that year compared to the previous year.

A good foundation and channels of communications need to be formed if communication is to be improved in the company.

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Teen driving

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Informative Speech

I.

According to a DMV crash report in year 000, automobile crashes are the number one killer of Americans from age 15 to 0 years old. On an average, approximately 1 people will die today in the United States. Every twelve months, 48,000 people will die. All of those people will lose their lives because of automobile crashes. Great responsibility comes along with a license. Anyone in this room that is a teenage driver is a statistic. Sixteen to twenty year olds have the highest crash rate of any other age group. About 1,00 children die each year in car accidents. More than 70% of sixteen year olds that are killed in car accidents each year, are in a vehicle driven by someone younger than the age of twenty-one. Sixteen year olds have a crash rate times as high as seventeen year olds, and 5 times as high as eighteen year olds. The one age and gender group that will most likely be involved in automobile crashes more than anyone else is young males. To better understand all of this, you must first understand all of the teen driving problems.

II. The number one problem with all young drivers is the lack of experience.

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A. Technical ability is one of the problems with inexperience. Young drivers have a difficulty in braking, steering, and adjusting vehicle speed.

i. Teens have a higher rate of crashes when excessive speed is a factor.

ii. The seat belt is another technicality in a car that only 45% of teens wear.

B. According to the traffic Injury Research Foundation, or TIRF, report concluded that teenage drivers have a hard time detecting and responding to hazards quickly. In addition, young drivers have difficulty judging personal risks and making appropriate decisions in critical situations.

III. Distraction is also a major cause of car accidents in young drivers.

A. Teenage fatal car crashes are more likely to occur when other teens are in the car. The risk increases with every additional passenger.

B. Another thing that ties in with distraction is risk-taking and immaturity. These factors challenge the driver and his or her ability to perform all of the skills needed for driving.

i. Adolescent impulsiveness is a natural

behavior in teens, but results in poor driving judgment. Peer pressure often encourages risk taking.

ii. High risk behavior such as speeding, inattention, and not

wearing a seat belt also contribute to immaturity.

IV. The use of alcohol is also one of the primary causes of teenage automobile crashes.

A. According to a traffic safety report, teenagers are inexperienced at drinking and driving, so small amounts of alcohol can have tragic effects. More than 0% of all fatally injured teenage drivers have a blood alcohol level of .10 %, the legal limit in most states.

B. Between 185 and 15, more than 40% of teenage deaths occur in alcohol related crashes. Today, 4 states have a .10% BAC level, the leanest in the world.

V.

In light of this information that I have shared with you, one thing is certain, the 15 to 0 year old age group are statistically the worst drivers on the road. Teen drivers are different from other drivers, and their crash experience is different. A high proportion of teenagers are responsible for their fatal crashes because of their own driving errors. A large percentage of fatal crashes involving teenage drivers are single

vehicle crashes. In this type of fatal crash, the vehicle usually leaves the road and hits a roadside object. A larger proportion of teenage fatal crashes involve speeding, or going too fast for road conditions. There are common factors that explain why these things happen. For instance, more fatal teen crashes occur when passengers in the car are other teenagers. Two out of three teens that die as passengers are in vehicles driven by other teenagers. These factors relate to distraction and immaturity of teens. There are also specific time periods when teenagers are involved in crashes. For example, young drivers are most likely to be killed or injured during the summer months, and a number of those deaths and injuries occur on the weekend. About half of the deaths, and 64% of the injuries occur at night. Of course one of the most common cases of fatal teen crashes is the use of alcohol. While young drivers are the least likely of any age group to drink and drive, the ones who do are at very high risk. Of the teenage drivers who were killed in 1, 40% had been drinking. Overall, young drivers tend to have more crashes due to a combination of life style choices and inexperience. The number of teenage crashes has gone down in the past two years, but until it disappears completely, SAFE DRIVING EVERYONE!

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How do I Love thee? Let me count the ways-Elizabeth Barrett Browning

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How do I love thee? Let me count the ways

Writing can be an expression of one's innermost feelings and a great way to release emotions from one's heart and soul. A sonnet, a fourteen-lined poem and a formal arrangement of rhymes, gives an author a way of self expression. Elizabeth Moulton Barrett Browning's Sonnet 4 from "Sonnets from the Portuguese" is a great example of how a poet releases emotions through writing. Even though love cannot be measured in numbers, Elizabeth uses this sonnet to try to express the depth of her love for Robert Browning. Romance is one of the most popular themes of poetry. Love can inspire the most soulful and sorrowful of words because of the intensity of the emotion.

Elizabeth Barrett Browning's "Sonnets from the Portuguese" first appeared in an 1850 collection. The title came from her husband's pet name for her, "Portuguese." "Sonnets from the Portuguese" describe the intense emotions Elizabeth has for Robert, even though she feels somewhat undeserving of his love. Elizabeth had to keep her feelings to herself for so many years and this poetry allowed her some release. Sonnet 4 of the "Sonnets from the Portuguese" is one of Elizabeths most famous poems. Elizabeth finds it difficult to put one kind of measurement or barrier on how much she loves Robert. It is a never ending, infinite love. This love contains every emotion imaginable and grows constantly, even beyond her time here on Earth.

Sonnet 4 is written in Petrarchan (Italian) sonnet form. The sonnet consists of fourteen lines written in iambic pentameter. The Italian or Petrarchan sonnet is composed of an octave (eight lines) with the rhyme scheme abbaabba, followed by a sestet (six lines) in which the rhyme scheme is cdcdcd. The last six lines can also be cdecde. The octave presents the question "How do I love thee?" and makes a proposition "Let me count the ways." The sestet resolves the tension created by the octave by generalizing, answering or applying the proposition (she will love him after they die).

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By use of metaphors, the audience learns that Elizabeth compares her depth of love for Robert to such things as a soldier fighting for freedom. Poetically, Elizabeth says, I love thee freely, as men strive for Right/I love thee purely, as they turn from Praise. Her love for Robert is relentless and with great purpose. She believes in true love having no limits, the heart and soul having no restraints, not even death. Elizabeth also alludes to the fact that we must always strive to fight for our love and keep it strong. We must not take love for granted. Elizabeth associates romantic love with common decency and virtues. This is important in her writing because it shows the passion that Elizabeth has in her heart.

Elizabeth lets the reader picture the vastness of her love for Robert through imagery. She uses such words as "life," "death," "sun," and "candlelight" to show her love for Robert. Life and death describe how she will love Robert on earth and after they die. Sun and candlelight are used to make the reader think of how she will love Robert during the day and at night. By using those words, she conveys her love of Robert through imagery.

Elizabeth Barrett Browning was born on March 6, 1806 in Durham, England. She was the oldest of twelve children of an autocratic father. Elizabeth began writing at a very young age, publishing her first works while in her teens. From an early age, Elizabeth suffered a chronic lung ailment. She spent most of her time in a darkened room writing poetry and many letters. The famous English poet Robert Browning admired her Poems (1844) so much that he wrote to her. They fell in love through their letters and secretly married in 1846, despite her father's objections. Soon after their marriage, they ran away to Florence, Italy, where Elizabeth began a remarkable physical recovery. In 184, they had a son, Robert Wiedeman Barrett Browning. She increasingly took up contemporary issues including the Italian Nationalist cause, the abolition of slavery in the United States, and the position of women in Victorian society. Elizabeth died on June , 1861.

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Language and Signs

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Language and Signs

Language has been, is now and will continue to be an important and essential thing in society. Language is the set of rules and norms by which we abide in order to communicate. Without it we would not be able to communicate, express ourselves, or even give or convey information. It is what sets us apart from the animals; it is the primary object of philosophy and humanities. Language consists not only of truths but lies, myths, and ideologies, which Ferdinand de Saussure and Roland Barthes both believe play important parts when it comes to explaining linguistic signs.

Saussure starts off talking about the label theory, which says that signs are just labels, attached to things. That language is just a list of words each identical to the thing that it names, just like a noun. Saussure opposes this saying that how would you explain pronouns and adjective and verbs which are also part of our language. He also says that this would mean that the ideas existed before the words did and then no one knows whether a name is expressed or psychological in nature. For example if you take the stop sign which is a red and white octagon. To people that drive in America they know this means you have to come to a complete standstill at the stop line. However if you come from a culture without roads or where they have another language this red and white octagon is going to mean nothing to you.

Saussure also believes that the structure of the linguistic sign can be split two different ways the first being into the signifier and signified. The signifier is the carrier or the manner of the concept. It is what the object actually is. The signified is the concept or a manner of understanding something. Take for instance a photograph. The signifier is the photo itself, for example a picture of your parents. The signified however is the form and content of the picture of your parents. The second form Saussure thinks the linguistic sign can be broken into is conventional and arbitrary. Conventional meaning the language is socially agreed upon by users and arbitrary meaning not necessary.

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Lastly Saussure believes that the mutability or changes of language are mostly brought upon by social, historical and cultural evolution. Therefore that is one of the reasons it is so important. With all these new changes we need to language to describe it. Without this language we would not be able to keep communicating with others and advancing in life.

Instead of breaking the structure of the linguistic sign into the conventional and arbitrary, Roland Barthes breaks it into the denotation and connotation. Denotation, which is the literal meaning and connotation, which is the added meaning. An example of this is an engagement ring. An engagement ring is literally a piece of jewelry with a diamond that is worn around the finger. However the connotation of an engagement ring is love and commitment.

One main difference between the writings of Saussure and Barthes is Barthes speaks a lot of ideologies and myths. An ideology is a set of assumed beliefs or ideas that have no been contrasted to assess their truth-value. A myth is an idea presented as truthful yet does not have fact to back it up. A myth is also a type of speech. Myths and ideologies are presented in the forms of ordinary signs that might be interpreted as truthful. They are not eternal because if they were they would be true. However myths are historically and socially constructed at a certain moment with certain intentions. This is how myths and ideologies differ from the truth because the truth is ideas that have been proven and contrasted with reality.

Myths take the literal appearance of a sign and use it to further a different meaning. Barthes shows this with the example of the black soldier saluting the French flag. The signifier of this is exactly what appears on the magazine cover a young black soldier saluting a French flag but the signified of this is to show that imperialism was good because even other races accepted and respected it. Mythical intentions easily manipulate signs, it is almost like promoting an idea through a sign.

Saussure and Barthes both have similar ideas when it comes to language. It is obvious that a word has to be agreed upon even if it is a private language. If it is not agreed upon by at least two people then it is not a language it is just noise. It is most obvious however after reading the essays by Saussure and Barthes that they feel language and signs are essential in society and almost impossible to live without.

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Employment of a Screen Device in The Glass Menagerie

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The Glass Menagerie is a collection of memories played out onstage, and therefore does not flow in the traditional way. For this reason, Tennessee Williams uses the screen device as a guide for the audience. It guides the audience transitionally, as the tone or focus changes, it repeatedly offers emphasis and further insight, and above all sets the mood by stirring up particular emotions in the audience. Beyond simply leading the way through the play, the screen device is a tool used to alter our comprehension of the events taking place. Williams accomplishes all this through a careful selection of images and phrases, including quotes from the characters themselves.

Throughout the play, the screen device is used repeatedly as a transitional tool that leads us onward and into the main focus and tone of the coming scene. The very first legend appears on screen immediately following Tom's introduction and precedes the first dialogue of the play. The legend reads, "Ou sont les neiges" (I.185). The translation need not be known, though it does suggest the main focus of the scene more bluntly. Regardless, this legend actually sets the tone for not only the scene, but for the play, which is primarily nostalgic, but also has a feel of romantic melancholy. Within this first scene the audience sees the family seated at the dining room table, and for the first time hears Amanda's flashbacks to her days as a debutante. It is through these flashbacks that we come to understand Amanda and her desires for Laura. It makes sense then, that the image that appears on screen at the open of the next scene is blue roses. The image leads us into the story of the first and only boy Laura has ever liked. Laura shows Amanda his picture, and tells her "He used to call meBlue Roses" (II.101). This image also offers a feeling of sadness, but a persistence of beauty, and romanticism, the tone that persists throughout the play.

Already, the audience can understand that the screen device is multi-purpose. Building on the ideas of transition and tone, the device is also used to offer further insight and emphasis on events and characters. This is much simpler, and plainly obvious. For instance, in scene one, when Amanda is telling the story of her 17 gentlemen callers, and we see an image of her as a girl on a porch, it is clear the image is just to emphasize the importance of this story. Later on, in scene six, after Tom has told Amanda about Jim, he addresses the audience regarding Jim. The scene opens with the image of a "High-school hero"(VI, 116). Tom tells us, "In high school Jim was a hero"(VI.116). Then the image changes, and it is the image of a clerk. We are told, "He was the only one at the warehouse with whom I was on friendly terms. I was valuable to him as someone who could remember his former glory…"(VI.116). The images simply enhance Tom's story, and help us to better understand Jim.

The primary and most complex function of the screen device is to stir up a particular emotion in the audience. Essentially, this is when Williams is telling us not only what to pay attention to, but how to feel about it. There are occurrences in the play when the emotion the audience should feel is made very clear, such as in scene six when the legend "Terror!" appears twice, both in regards to Laura encountering Jim (IV.11, 1). However, when blue roses appear on screen again in scene seven, the message is a bit subtler. At this point, Jim and Laura are deep in conversation, and Jim tells Laura "You're one times one!….They're common asweeds, but, --- youwell, you'reBlue Roses!" (VII.1). The feeling meant to be associated with "blue roses" in this instance is different than the previous times it occurred. This time, it's a bit of excitement, anticipation, as well as the strange, beautiful, sadness. Williams' use of the screen device in The Glass Menagerie is an effective element used to alter the audience's comprehension of the events taking place. It is only one of the tools Williams employs to accomplish this goal, but it is both frequent and complex. The screen device is capable of guidance and transition, as well as setting tone and evoking emotion from the audience.

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The Dead Poet Society: Summary and Character Analysis

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The Dead Poets Society takes place in 15, in the prestigious Welton Academy, a private boys school in Vermont. The boys that go there nicknamed it Hellton, because of the grim authority. It is a classic school, and looks very much like a castle. The school cheer, said in a grim voice, is "Tradition! Honor! Discipline! Excellence!", though the boys change it to "Travesty! Horror! Decadence! Excrement!". There are beautiful gardens and lawns. There are many patios decorated with flowers. There is a grand dinning hall, with many benches, which is where the boys meet for meals. There are dorms on the upper levels of the building, each shared by boys. It is beautiful, but not very inviting. The thing that appeals so much about this movie is that, though the scenery is simple, in its simplicity it is beautiful. The cramped library, a college student's house party, a large field, the houses in a wealthy neighborhood, all such regular sights, but they add so much to the movie, and the director did an excellent job of making sure that the movie was not overdone with rich details and distracting gaudiness.

In The Dead Poets Society, the main character, seventeen year old Neil Perry (played by Robert Sean Leonard) , is a very energetic person. He has dreams of leaving Welton, and becoming an actor. He attempts to do this by going to the neighboring school, and getting a part in their play, A Midsummer Nights Dream. He disregards his controlling father's demand for him to become a doctor, and against his father's will, he accepts the part, and does a splendid job of it. While his father begrudgingly allows him to act in the play, after it is finished, he withdraws Neil from Welton Academy, and plans to enroll him in military school the next morning. Neil feels the full force of the constriction that his father places on him, and finally cracks. That night, while his parents are asleep, he takes his father's gun and ends the irony and misery of his life in the study.

Neil Perry (Robert Sean Leonard), Todd Anderson (Ethan Hawke), Knox Overstreet (Josh Charles), Charlie Dalton (Gale Hansen), and Richard Cameron (Dylan Kussman) are all boys that go to Welton Academy, and all good friends. They led very controlled and calm lives, until a new teacher came to the school, Mr. John Keating (Robin Williams), an energetic young poetry professor. He inspires them all to think "outside the box", and teaches them how to think for themselves. His teaching customs are much abhorred by the school principal, but Keating pays no mind to the authoritarian school board. When the students try to find out Mr. Keating's past, the find that he was a member of the Dead Poets Society. The boys reincarnate the Society, and have a ball of a time, even though at the end of the movie they almost get caught.

Meanwhile, there is a small romance going on between Knox and a neighborhood girl, Kris, who is also attached to a burly football player. There is also Neil and his controlling father, and the family feud over whether Neil will act or not. Another part in the plot is Todd and his overpowering solemn shyness. The last plot that is mixed into this movie is the humorous class which Mr. Keating directs. The students are brought through various mental exercises to help them "find themselves". This movie has many different plots mixed together, which makes it very interesting.

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This movie, put together, shows us dangerous finding ourselves can be. The main - and obvious - example is when Neil decides that he has to be an actor, and refuses his fathers demand for him to become a doctor. He supports his beliefs in to the end, and when he finds that it is impossible to become an actor like he dreamed, he ends his misery by means of suicide. Another example, that is already completed by the time the story starts, is that the riotous Mr. Keating was once a subdued school boy. By acting on his nature of unchecked gaiety, he is fired and dispelled from the Academy. Also, Todd, quiet and shy at first, finds his voice in poetry. He is the happy ending in the story, for he comes out of his long-lived protective shell, and probably goes on to become a great poet.

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Blood

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A constant theme throughout the history of literature and drama that often intrigues people and catches their attention is the use of blood. Blood shows guilt or shame due to someone's actions, victory or triumph over an enemy, or even courage in battle. But no matter how it is used, blood intrigues an audience and keeps people in suspense. It hooks people into the plot and ensures that they will be interested through the end. This is shown throughout William Shakespeare's Macbeth.

One of the biggest ways that blood is used in Macbeth is to show guilt. After Macbeth has killed Duncan and Lady Macbeth returns from placing the daggers in the hands of the guards, they are both colored with the blood of the king. The red stains are unmistakable proof that they are guilty. If anyone were to see them in that state, they would have no hope of eluding severe punishment, but they were very quick to change out of their blood stained clothes and wash the blood from their hands. They believed that they had removed all guilt from themselves by doing that. The guilt appears to fall on the two guards outside the king's chamber who now have the bloody daggers in their hands. Before they can be questioned, though, Macbeth conveniently kills them claiming that he was overcome by a fit of rage due to the appearance of their guilt displayed by the bloody daggers in their hands.

The role of blood as guilt is not limited to just physical evidence. It also serves as a constant reminder for Macbeth and his wife. They think that by washing the blood from their hands, they are free of the deed. They believe that water can cleanse them completely, but their minds are eternally plagued with the thoughts. In the first scene of Act Five, the doctor and a gentlewoman witness Lady Macbeth walking in her sleep. While they watch, she screams aloud "Out, damned spot!…What, will these hands ne'er be clean?…Here's the smell of the blood still; all the perfumes of Arabia will not sweeten this little hand." She neglected the fact that water can not cleanse the mind. At the time, she thought that it would be simple to cover up the murder and forget about it, but the thoughts have not begun to leave her head. Her worries have only grown and intensified so that she has nightmares of them. The blood sticks with her to the end of the play when it eventually drives her to her death.

On the opposite side of the mirror, blood serves as a sign of courage. Before Macbeth becomes corrupted, he showed extreme bravery in battle. He was one of the military leaders that led Scotland to victory over the rebels. The blood on the edge of his sword was proof that he had fought hard in the battle as opposed to running away from the enemy as a coward would have done. Another person who displayed such courage in combat was Siward's son. In the final struggle against Macbeth and his men, Siward's son was killed. His death was one of great valor though. He died of multiple wounds to the chest, which prove that he died fighting. Although Siward was greatly dejected to hear this news, he was proud of the fact that his son had enough courage to stand strong in the face of adversity and combat.

One final use of blood is to show triumph. In Act Five, when Macduff returns to the stage carrying Macbeth's head, he proves that he has killed the traitor, and has gotten revenge. Victory is his. Since no action takes place on stage, the blood dripping head serves as a trophy for Macduff and a sign to the audience that Macbeth is truly dead. Macduff does not face guilt for his actions, though. He committed them out of what he thought to be good reason, as opposed to greed. Macbeth had murdered numerous people to try to ensure that he would be king. He feared that his throne would be threatened. Slaying him was an act of justice for the country. Macduff knew that this blood shed was necessary for that purpose. He had done a great service for the people.

Blood serves as a symbol to both the audience and the characters in this play. The audience can see how the blood of the king curses Macbeth and Lady Macbeth. They are unable escape the memory of their actions and their guilt only leads them into more trouble as they try to cover up the truth. Also, Macbeth's bloody head is necessary to prove Macduff's triumph. He carries it with pride and boasts of his conquest. This frequent use of blood flows throughout Macbeth and helps keep people interested. It feeds their desire for action while it still greatly contributes to the plot and events of the play.

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