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"The bird that would soar above the level plain of tradition and prejudice must have strong wings." (Chopin 4) Stated by Mademoiselle Reisz in Chopin's "The Awakening," the struggle to find one's self resonates throughout three novels the aforesaid "The Awakening," Bronte's "Wuthering Heights," and Malamud's "The Assistant." Relationally, the inhibiting actions of the males propel the females' desire to find self-fulfillment by seeking the unattainable.
Catherine Earnshaw lies hampered due to her husband's failure to provide while she combats her hopeless desire for fulfillment within Heathchcliff. Catherine dismisses Heathcliff's advances, feeling that "it would degrade [her] to marry Heathcliff now" (Bronte 7) and marries Edgar instead. Though she rationalizes that this marriage will ensure Heathcliff financial security in the future, Catherine feels that "in my soul and in my heart, I'm convinced I'm wrong!" (7) Her relationship to Edgar borders upon submissiveness of the husband to wife for "It was not the thorn bending to the honey suckles, but the honeysuckles embracing the thorn." (8) Even Heathcliff takes heed of the differences between the couple. "It is not in him to be loved like me how can she love in him what he has not?" (17) Heathcliff realizes that Edgar does not symbolically embody Catherine as he does, as Catherine exclaims, "I am Heathcliff!" (7) Such bold a statement proves her desire to be one with Heathcliff as her marriage to Edgar only came about as a result of circumstance. Catherine seeks a way out of "this shattered prison" (147) of life without Heathcliff, yet, by yearning for what the unobtainable life, Catherine dies due to a broken heart fulfilling her desire to escape Edgar yet ultimately sacrificing herself to the dream of true love.
Edna Pontellier responds to the bitter struggle of an neglecting husband and shackled life through tragic self-discovery as she desires relationships unable to take place. "She would, through habit, have yielded to his desire...unthinkingly." (Chopin 87) Disobeying her husband's command to go inside, not waiting for the callers on Tuesdays, and abandoning her house on Esplande Street proves Edna's struggle to awaken to the true realization of her freeing herself from the tomblike surface of materialistic possessions."I would give up the unessential...my money...my life for my children; but I wouldn't give myself." (14) The inhibition of her maternal duties results from a desire to be herself, not a desire to abandon her family, a result of her self-discovery. "She was thinking of Robert. Her husband seemed to her now like a person whom she had married without love as an excuse. Alcee was absolutely nothing to her." (18). Her discovery occurs artistically through Reisz, and sexually Robert and Arobin. "The years that are gone seem like dreams...perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one's life." (16) Edna fully realizes that due to the inability of her husband and her life to provide for her the ability to explore herself, death remains as the only escape and the true realization of ultimate self-fulfillment.
Helen Bober strives towards her self fulfillment by desiring an escape from the prison-like surface of the grocery that results from the infertile finances of her father and the hopeless desire of Frank. Ironically, by chastising her father, stating that "he buried himself in [the grocery]. He made himself a victim. He could...have been more than he was,"(Malamud 78) Helen defines her own life, stuck within the dull monotony of suffering, unable to earn a college degree and fulfill her own aspirations. Starting upon the wrong foot by losing her virginity, Helen possesses a negative outlook upon men, desiring the life of a teacher or social worker, of which Frank notices. "When she had looked at him [Frank] was at once aware of something starved about her, a hunger in her eyes he couldn't forget because it made him remember his own." (7) Frank realizes that he provides little for her ambitions, as he is but a grocer, a reforming thief who is not Jewish. Striving to reverse her stereotypical yet fearful attitude, Frank offers gifts, an open ear, and opportunity through the guise of college aid, prompting Helen to consider Frank yet with reservations. "She feared most of all the great compromise...that her life would not turn out as she had hoped, or would turn out vastly different...she would not part with the substance of her dreams." (16) After the rape, Helen takes back her former statements about Frank; however, through further contemplation, Helen sees the acts of kindness and compassion that drive Frank to succeed as for the benefit of her family. "She had hated him, she thought, to divert hatred form herself." (88) Frank is the unobtainable dream, whose life mirrors the destruction and struggle of her father's suffering, and through these realizations, Helen realizes that she seeks a way to better her life, an unobtainable goal previously due to Frank's value displacement, yet now remains fulfilled as she learns to embrace the suffering inherent within the grocery, thereby freeing herself from entrapment.
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The search for self becomes complicated by the entrapment of males restricting and not providing for the necessary expectations of the female, as seen through Catherine, Helen, and Edna, each who seek the unobtainable. As Reisz states again, "The artist must possess the courageous soul that dares and defies," (8) one notices the independence of women that lies prohibited by male actions. On a side note, it seems ironic that only the male author finds self-discovery fulfilling through life and not through death.
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